THE FURY OF FIRESTORM: THE NUCLEAR MEN
#1
Writers: Gail Simone & Ethan Van
Sciver (co-plotter)
Artist: Yildiray Cinar
Publisher: DC Comics
“You jerk! You want to say this
crap to me? Say it to my face, you geek loser! Come on, right
now!” — Ronnie Raymond
So far, all but 2 of “The New 52”
that I've read (admittedly a small number) have not started from
scratch with a standard first issue “Origin” story, but picked up
on the character already in existence. THE FURY OF FIRESTORM: THE
NUCLEAR MEN is one of them (OMAC is the other one, if you're
curious). Annnnnnd, since I happen to own a copy of the original
FIRESTORM: THE NUCLEAR MAN #1 from 1978 (and it was easy to grab), I
will be following up this review with a short “Bonus” review of
that comic as a comparison. Since both are the “first”
appearances of the character in their respective continuities, why
the hell not take a look at both of them?
I didn't care for this comic very much.
It is functional but not very enjoyable, and in parts, really irked
me. It started with the opening sequence with a group of white,
racist terrorists trying to get their hands on a macguffin and
proceeding to assassinate a Middle Eastern family (parents and kids)
in Istanbul. [“MacGuffin” - noun - \mǝ-'gǝ-fǝn\
: an object that serves to set and keep the plot in motion...”]
The terrorist in charge is a vicious
little shit named “Clifford Carmichael.” Move to Walton Mills
High School to meet white All-American, slightly dense, football
star, Ronnie Raymond. While we're here, let's also hook him up with
school journalist, black kid with a chip on his shoulder, Jason
Rusch.
They, of course, hate each other.
Primarily because Jason is one of those kids who hates the sports
kids and promptly starts intimating that Ronnie's a racist. Ronnie
is one of those kids who tires of people making presumptions about
him because he's a football star...and now...thinks he's a racist.
Reminds me of when I got drug to a PromiseKeepers Rally many years
ago and the guy on stage spent most of the time informing me and the
thousands of other guys there that we were all racists...even if we
didn't know it. Wha-huh? Anyway, while we get glimpses at these two
boys' personal lives, the visual parallels between the two of them
are highlighted with side-by-side panels and internal monologues
(Ronnie's in red bubbles and Jason's in yellow). Both just met each
other and both think they know what the other kid is all about. The
truth is that they're a lot more like each other than they realize (a
couple of arrogant pricks, actually) and circumstances are about to
bring them a lot closer to each other than they're going to want.
The terrorist group tortures then kills
a scientist at a Swedish supercollider and we start getting some
indication of what the macguffin is – some kind of powerful
something or other having to do with “The Firestorm Protocol” and
toss in some tantalizing references to a missing scientist named
Martin Stein. Visual indications are that there are various
countries with their own top-secret “Firestorm” individuals (I
noted China, Japan, and Russia. Not sure of the other countries).
Naturally, even though nothing in the
story leads the reader to understand why, the terrorists “know”
that the missing piece of the puzzle is at....Walton Mills High
School! The timing couldn't be more perfect for them to break in to
get it while both Ronnie and Jason are there. And, like any good
high school student with a top-secret “magnetic bottle”
containing highly radioactive material that “inhibit[s] the decay
of gauge bosons...[changing] quarks of one flavor to another,” HE
HIDES IT INSIDE HIS HIGH SCHOOL LOCKER!!!! By the way, that stuff
about quarks and bosons means it has the ability to transmute
elements. Now we get it. “The Firestorm Protocol” is some kind
of global top-secret experiment involving transmutation of matter
predicated upon the Higgs Boson, or “God Particle” and is
functional only with a genetic match. Makes total sense. Trekkies
probably understood that techno-babble, but I doubt anyone else did.
But, really, isn't the whole thing just
an excuse to get Ronnie and Jason to fuse together into Firestorm?
Well, of course....and that happens....sort of. As the cover that
makes my eyes bleed reveals, the two of these guys actually co-exist
as separate mirror-versions of each other as Firestorm but they can
also fuse together into one massive giant Firestorm who calls himself
“Fury” and talks like a tough-guy asshole saying things like “The
'guys' are gone forever, Sweetcheeks. Say hello to Fury.”
*facepalm*
I really didn't care for it. I didn't
like the pointless brutality of the villains. I didn't like the
simplistic implication that Ronnie is a racist because he hasn't had
a black kid over to his house. I didn't like the self-righteous
attitude of Jason. I really hated the techno-babble. I didn't like
the completely and inconceivably stupid idea that Jason would just
keep this all-important macguffin in his freaking high school locker.
That was really just too much for me.
I think the broader concepts are sound.
The idea that “The Firestorm Protocol” is a global project with
multiple competing countries experimenting with this powerful weapon
is a strong premise. The pettiness of the two unlikeable lead
characters and the “Fury” aspect really turned me off. I am
usually a fan of the work of Gail Simone and Ethan Van Sciver and I
appreciated Yildiray Cinar's work on LEGION this past year, but I
didn't enjoy this comic.
It has potential in the concept, but
this went off the rails a number of times and never really righted
itself.
FIRESTORM: THE NUCLEAR MAN #1 (1978)
Writer: Gerry Conway
Artists: Al Milgrom (pencils) and Klaus
Jansen/Josef Rubenstein (inks)
Publisher: DC Comics
“Wowee! If the kids at school
could only see me now! I haven't felt this good since I made the
winning touchdown in the championship game with Central High!”
– Ronnie Raymond (Firestorm)
The cover, by artist Al Milgrom is
simple but it is much more dynamic than the static, posed,
over-colored and over-f/x'd cover of the 2011 cover. The 2011 series
involves a global terrorist group led by Cliff Carmichael who
slaughter their way to a high school in pursuit of some important
canister that ignites and joins 2 teenagers together both separately
and joined as Firestorm super-heroes.
The original version of the character
premiered in 1978 and was smack dab in the middle of the oil crisis
and widespread fears of nuclear power (the Three-Mile Island
meltdown was right around the corner). This comic also featured
terrorists. Not the kind of terrorists who put a gun to the head of
a little boy and shoot his head off after making him watch them first
kill his family. No, these are 70s-style terrorists with curly perms,
muttonchop sideburns and sticks of dynamite. In fact, the comic
begins with Firestorm already in action taking on a group of thugs
trying to blow up a nuclear power plant in New Jersey with a stash of
dynamite. Then it does a quick flashback to the circumstances
surrounding how Firestorm came to be here in the first place.
So, the flashback machine takes us to
the high school where new transfer student, and football player,
Ronnie Raymond is experiencing his first day in a new school.
Instead of Jason Rusch, the antagonist in this comic is “Cliff
Carmichael,” who is NOT a terrorist here but, rather, an annoying
little shit who relentlessly picks on Ronnie. In this scenario,
Ronnie is a jock but Cliff is the smart nerd who lords his brains
and cutting wit over the “big dumb jock.” It is an amusing twist
on the usual scenario of the jock picking on the smart kid.
Ronnie is much more likeable in this
story than in the new version, and the reader is more empathetic to
his situation as the new kid in school. Cliff is the guy we all want
to just punch in the nose. Which is exactly how he should be. He's
not the hero, he's the foil.
The Coalition to Resist Atomic Power is
protesting the opening of the Hudson Nuclear Power Plant, where Prof.
Martin Stein hangs out as the physicist who designed the
installation. In the "New 52" version, Martin Stein is so far just a
mysterious name. Here, he is an angry and irritable man who presents
a very unlikely and intriguing pairing with the youthful,
non-intellectual, Ronnie. The Coalition is really just a front for
an anti-nuclear power terrorist group who breaks in to the power
plant with some dynamite to blow it up and make everyone see the
danger. Inexplicably, that explosion fuses Ronnie (who shows up at
the plant at just the wrong time) with Prof. Stein and gives them the
power to transmute elements.
With Ronnie's football player physique
and Prof. Stein's brilliant mind plus fire hair and a puffy-sleeved
shirt, they embark on a new career as the powerful nuclear-powered
“Firestorm.” The terrorists at the Jersey power plant are, of
course, the same group that tried to blow up the power plant.
The story follows some basic Silver Age
tropes such as name alliteration (i.e., Ronnie Raymond, Cliff
Carmichael, Doreen Day), villain set-up, and stylized soap-opera
relationships and dialogue. However, there is real dramatic tension
without imposing any social or political agenda. The anti-nuclear
group are the villains of the piece, but it never feels like any
judgment is being pushed on either side of the issue by writer Gerry
Conway. The look of the Firestorm character is really bizarre by any
standard and, yet, I've always liked it. Even when I was 12 years
old.
Milgrom's work on this comic displays
elements of both Ditko and Kirby in it. It doesn't always work, but
for his pencil work (Milgrom is more known for his inking and editing
work), it's pretty strong in terms of selling the narrative while
limited in terms of actual drawing ability. The inks by Klaus Jansen
and Josef Rubinstein are solid and help out a lot, although Jansen
and Rubenstein are not similar in style at all.
Of the two, I definitely enjoy the
original FIRESTORM #1 over “The New 52” version, but even with
that I will admit it's pretty lightweight. But at least it is fun.
The new version is not very fun at all.
Look for this and other reviews tomorrow @AICN Comics! |
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